So I was talking to Antoni, frontman for Perth band “Fixer”…
We were discussing the intricacies of recording and publishing independent music CDs, and the merits of limited run pressings versus burn to order CDR.
To my mind, a limited run press has the advantage of looking polished and professional but you need to have a minimum order of around 2000 pieces and the capital to cover that. Burn to order media is convenient in the sense that you only need to create as many discs as you need – but you can’t help the feeling that it looks cheap.
I’m a strong supporter of amateur and independent musicians – when they’re not trying to con me, at least. I’ve recently purchased CDs from UK folk musician Dogan Mehmet and American composer Ronald Jenkees (you might have seen my recent posting about that one). Previously I’ve supported local bands such as Los Chasquis and solo musicians such as Trent Humphreys. Los Chasquis publish their CDs via Latin Music and adopt the CDR approach – I loaned one of my CDs to an associate and they assumed that because the disc was a CDR, I had made a copy for them so it was a bit of a struggle to get it back again.
Trent Humphreys conversely takes the pressed CD path but ran into trouble when he had a falling out with his publisher and apparently lost the rights to previously recorded tracks. I bought a copy of his third CD, Etherdrive, under the impression that some of the older tracks had been rearranged and rerecorded “but it was mostly new material” quoth Cam McAzie of The Kilted Generation. So you can imagine my irritation when I discovered that it was actually just bits of his first two CDs with the song titles listed in French. Although I needed to replace my copy of “Journey” (his second CD), I ended up giving Etherdrive to a penpal in Japan for their birthday.
Publishing music as MP3 files downloadable from a website is probably the most convenient way of publishing music but there is something “real” about owning the original CD. I may only ever play the CD once or twice before copying it over to my media centre (plural) but somehow buying the music without the CD still feels like piracy to me – you may own the music but without the physical media in your hands, it seems somehow wrong.
Perhaps this is why I’m uncomfortable with the burn to order approach.
A few years ago, I discovered the website of Russell Lieblich – an American jazz musician perhaps best known for the music he composed for a number of Activision games on the Commodore 64 during the mid to late Eighties. After breaking away from the computer industry, he spent time composing music and writing songs which he hosted on his website, “Galaxy 7 Music”. I downloaded a number of tracks from this site but forgot about them for a while. Locating them again in March 2005, I found that I really rather enjoyed his music and went searching for more only to find his website shut down. Further research revealed that Russell had died of a heart attack on January the 26th.
In December 2007, ACM Records released a collection of Russell’s music titled “Another galaxy” but it was a curious arrangement – you could trawl through their website and download all the tracks for free or if you wanted, you could purchase the music via Amazon, eMusic or iTunes. The CD could also be purchased from Amazon but on a burn to order basis only, taking around six weeks from order to shipping.
I have mixed feelings about that idea. Although I like the idea of owning an official copy of the media, paying $10 plus shipping for a CDR of music that both the artist and record company permitted me to have for free seems faintly absurd. Having watched authors like Debra Doyle and James McDonald for some time, I’m also aware that Amazon make an enormous commission publishing their media this way – the original creator makes only a fraction of what Amazon charge. Added to that the fact that Russell Lieblich has now Run Down the Final Curtain and Joined the Choir Invisible and thus cannot profit from the sale of this CD, I ultimately cancelled the order – there is no mention of Russell’s family so if anyone is to benefit, it would only be the record company.
Had it been a pressed CD, I would be anticipating receipt sometime in mid-November.
In the past, I’d given thought to buying an album released by Johan Åstrand (aka Zyron of Oxyron) through MP3.com. Again, paying $10 for a CDR burned from the same MP3 files I had downloaded just seemed stupid – I’d rather stuff a $10 note into an envelope and post it to him directly.
So, independent musicians, have some respect for your fans and do the right thing by them if you want them to do the right thing by you – give them something substantial for their money.
Ironically, the person who “borrowed” my Los Chasquis CD had published a CD of his own but had no concerns about copying someone else’s material…